Alive with the Dead or A Fly on the Wall with A Camera. Susana Millman. 2016. Hardback 260 Pp.
For a group of regular looking guys, the Grateful Dead have been subject to more than their share of photo opportunities over the 50+ years since they started as a band, and they have been the subject of numerous book-length photographic collections. The latest, and one of the best, is by Bay Area photographer Susana Millman who, along with her husband, author and publicist Dennis McNally, was part of the band's inner circle from the mid-1980s. Since that time, Millman has been one of the most successful photojournalists at capturing the human side of the band members, crew, and family that make up the complex and ever-evolving society that was - and in many ways still is - the Grateful Dead. This generous and beautifully appointed book contains plenty of great shots of the Dead onstage, but many of the most enchanting photos come from other situations - backstage, out to dinner on tour, or extracurricular musical events like Mickey Hart's Planet Drum tour or Jerry Garcia's collaborations with his own band and with David Grisman. Millman's familiarity with band dynamics makes for some humorous collections of photos, including a memorable series of shots from the set of the hilarious video the band made for "Hell in a Bucket" and three pages of Jerry Garcia's bemused and befuddled expressions at bandmate Bob Weir's musically and physically unpredictable presence on various stages over the years. Although 80%of the book focuses on the years Millman photographed the Dead up to Jerry Garcia's death in 1995, the remaining 40 pages breezes through the following two decades, wrapping up with a few choice shots of Dead and Company onstage. Although the main course of this book is the photographs, they are informed wonderfully by essays by both Millman and McNally, and by a heartfelt and incisive foreword by Mickey Hart. Full disclosure: I participated in Millman's Kickstarter campaign for this book.
http://mamarazi.com/alive-with-the-dead-fly-on-wall/
Saturday, October 29, 2016
Alive with the Dead or A Fly on the Wall With A Camera
Alive with the Dead or A Fly on the Wall with A Camera. Susana Millman. 2016. Hardback 260 Pp.
For a group of regular looking guys, the Grateful Dead have been subject to more than their share of photo opportunities over the 50+ years since they started as a band, and they have been the subject of numerous book-length photographic collections. The latest, and one of the best, is by Bay Area photographer Susana Millman who, along with her husband, author and publicist Dennis McNally, was part of the band's inner circle from the mid-1980s. Since that time, Millman has been one of the most successful photojournalists at capturing the human side of the band members, crew, and family that make up the complex and ever-evolving society that was - and in many ways still is - the Grateful Dead. This generous and beautifully appointed book contains plenty of great shots of the Dead onstage, but many of the most enchanting photos come from other situations - backstage, out to dinner on tour, or extracurricular musical events like Mickey Hart's Planet Drum tour or Jerry Garcia's collaborations with his own band and with David Grisman. Millman's familiarity with band dynamics makes for some humorous collections of photos, including a memorable series of shots from the set of the hilarious video the band made for "Hell in a Bucket" and three pages of Jerry Garcia's bemused and befuddled expressions at bandmate Bob Weir's musically and physically unpredictable presence on various stages over the years. Although 80%of the book focuses on the years Millman photographed the Dead up to Jerry Garcia's death in 1995, the remaining 40 pages breezes through the following two decades, wrapping up with a few choice shots of Dead and Company onstage. Although the main course of this book is the photographs, they are informed wonderfully by essays by both Millman and McNally, and by a heartfelt and incisive foreword by Mickey Hart. Full disclosure: I participated in Millman's Kickstarter campaign for this book.
http://mamarazi.com/alive-with-the-dead-fly-on-wall/
For a group of regular looking guys, the Grateful Dead have been subject to more than their share of photo opportunities over the 50+ years since they started as a band, and they have been the subject of numerous book-length photographic collections. The latest, and one of the best, is by Bay Area photographer Susana Millman who, along with her husband, author and publicist Dennis McNally, was part of the band's inner circle from the mid-1980s. Since that time, Millman has been one of the most successful photojournalists at capturing the human side of the band members, crew, and family that make up the complex and ever-evolving society that was - and in many ways still is - the Grateful Dead. This generous and beautifully appointed book contains plenty of great shots of the Dead onstage, but many of the most enchanting photos come from other situations - backstage, out to dinner on tour, or extracurricular musical events like Mickey Hart's Planet Drum tour or Jerry Garcia's collaborations with his own band and with David Grisman. Millman's familiarity with band dynamics makes for some humorous collections of photos, including a memorable series of shots from the set of the hilarious video the band made for "Hell in a Bucket" and three pages of Jerry Garcia's bemused and befuddled expressions at bandmate Bob Weir's musically and physically unpredictable presence on various stages over the years. Although 80%of the book focuses on the years Millman photographed the Dead up to Jerry Garcia's death in 1995, the remaining 40 pages breezes through the following two decades, wrapping up with a few choice shots of Dead and Company onstage. Although the main course of this book is the photographs, they are informed wonderfully by essays by both Millman and McNally, and by a heartfelt and incisive foreword by Mickey Hart. Full disclosure: I participated in Millman's Kickstarter campaign for this book.
http://mamarazi.com/alive-with-the-dead-fly-on-wall/
Tuesday, January 5, 2016
Best Concerts of 2015
2015 was another great year for live music in the Bay Area.
In compiling this list, I noted that I gravitated towards intimate venues
rather than sheds or big auditoriums and may need to get out and hear more
Americana music next year. These 10
picks are listed in chronological order, so no ranking is implied.
Phil Lesh and Friends. 1.2.15, 2/8/15. Terrapin Crossroads.
In addition to all of the hoopla surrounding the Fare The Well shows that
reunited the Core Four of the Grateful Dead, bassist Phil Lesh planned his own
celebration of the band’s history by playing a series of shows at Terrapin
Crossroads, each commemorating a year of the band’s history from 1965-81. I
went to a number of these shows, but I think my favorite was the first, on the
second day of the new year, which celebrated the band’s bar band roots. Lesh, augmented by guitarists Stu Allan, Scott
Law, and Ross James, keyboardist Jeff Chimenti, and drummer Cody Dickinson,
played one long set that blended covers of the day (“Off the Hook,” Twist and
Shout” with the Dead’s early garage band-influenced tunes like “Mindbender” and
“The Only Time is Now.” James sang tunes like “I’m a Hog For You Baby” and
“Caution.” The guitarists played era-appropriate instruments, and clearly put a
lot of work into summoning up an authentic vintage sound for this fun trip back
to the mid 1960s.
A few weeks later, Lesh played one his improvisational
“Telstar” sessions with a unique band comprising Lesh, Law, Dickinson, ALO
guitarist Lebo, and Particle keyboardist Steve Molitz. The single 80 minute set
meandered through themes from several Dead songs, but the most exciting parts
occurred when the group abandoned those structures entirely, leading to some
exciting interactions between Lesh, Molitz, and Lebo.
Christian McBride Trio. 2/20/15. Kuumbwa Jazz Center. I see
bassist Christian McBride every chance I get, and this was the first time I had
seen him with his trio, which is rounded out by pianist Christian Sands and
drummer Ulysses Owens Jr. Playing a set balancing standards and new
compositions, the trio played with virtuosity and exuberance. Sands’ dazzling
playing was a highlight, but Owens and McBride never dropped the beat, and the three worked together like a playfully well-oiled machine.
David Nelson and Eric Thompson. House Concert 5/3/15. After
playing a number of shows as the core of the Black Mountain Jungle Boys, guitarists
Nelson and Thompson, friends and collaborators since the early 1960s, performed
a number of duo shows last year, including this memorable afternoon set in Los
Altos. The duo mostly drew on the
traditional folk and bluegrass tunes that have been in both of their regular
repertoires since their earliest performing careers, and regaled the
enthusiastic audience with tales of their early days hanging out on the
mid-Peninsula, playing with Jerry Garcia, and devouring Harry Smith’s Anthology
of Folk Music. Just a great way to spend a Sunday afternoon.
Marcus Miller. 8/24/15. Kuumbwa Jazz Center. Touring behind
his latest album, Afrodesia, bassist and composer Marcus Miller and his
splendid septet squeezed onto the relatively cozy Kuumbwa stage for a brilliant
evening of world music-infused funk jazz. Drawing mostly from the new album, which
explores the African and Caribbean roots of jazz, Miller and company blended
catchy originals like the set opening “Highlife” with an extended version of
“Papa Was a Rolling Stone.
Chick Corea Trio. 9.12.15. Miner Auditorium. This was the third
of four concerts, each with a different configuration, that Chick Corea
performed for SF Jazz as part of his 2015 residency in Miner Auditorium. The
trio, comprising Corea on piano, McBride on standup bass, and Blade on drums,
lived up to its pedigree as a jazz supergroup featuring three experienced
bandleaders.
Jorma Kaukonen. 11/8/15. Kuumbwa Jazz Center. It’s always a
treat to see Jorma, whether solo or with some configuration of Hot Tuna, but it
was really special to see him in an intimate listening room like Kuumbwa. His
set featured many of the tunes Kaukonen has been playing since his folk club
days in the early 1960s, along with much of the core repertoire from his many
years in Hot Tuna and a handful of newer songs that find the guitarist coming
to terms with his stage in life. Kaukonen seems happy and content, and this
warm, engaging concert was as close as I’ll ever get to hearing him play in his
living room.
North Mississippi Allstars. 12/5/15. Terrapin Crossroads.
Cody and Luther Dickinson have been playing regularly with Phil Lesh for the
last couple of years, and this was the second time the duo played their own
show at Lesh’s San Rafael clubhouse. The evening started with the two
Dickinsons playing several extended and gorgeous improvisations on a pair of
Les Pauls. Next, Cody assumed his usual position behind the drum kit and they
were joined by new bassist Ron Johnson and guest keyboardist Jason Crosby for a
few songs. The long first set ended with Lesh replacing Thompson for a 35
minute, all instrumental min-Telstar which went some strange and wonderful
places, with Luther and Lesh egging one another further and further out of
their comfort zones.
Charlie Hunter Trio. Kuumbwa Jazz Center 12/7/15. Charlie
Hunter always returns to the Bay Area over the holidays, but this year, rather
than doing his usual duo show with bay area percussionist Scott Amendola, he
came with his New York trio which also includes drummer Bobby Previte and
trombone player Curtis Fowlkes. What seemed like an odd instrumental lineup
turned out to be an inspired combination. Fowlkes coaxed a mellow, almost
trumpet-like tone out of his trombone during quiet passages and sparred
playfully with Hunter’s soulful seven string guitar and Previte’s aggressive
drumming.
The Bad Plus Joshua Redman. 12.12.15 Miner Auditorium, SF
Jazz Center. Touring behind their recent joint release, Berkeley sax player
Joshua Redman and New York jazz trio The Bad Plus played a delightfully chill
set for SF Jazz as part of their four night run at the Miner Auditorium. Redman
has really upped his instrumental game in the last couple of years and he has
found a set of kindred spirits in the Bad Plus.
Saturday, January 2, 2016
Best Books about Music – 2015
2015 has been a banner year for books about popular music,
from autobiographies to photographic compendia to cultural histories. Here are
ten books that I thought were among the year’s highlights. There were plenty of
other good music books released this year. Some are on my reading list, notably
Patti Smith’s second autobiography M Train, Carrie Brownstein’s Hunger
Makes Me a Modern Girl, and recent biographies of Charles Lloyd and John
Mayall. Others, notably Dennis McNally’s amazing and erudite On Highway 61
and Herbie Hancock’s revealing autobiography Possibilities, were disqualified because they came out in
late 2014.
10. Willie Nelson. It’s a Long Story: My Life. Little
Brown and Company. 408 Pp.
In recent years, Nelson has probably been recognized as much
for his prodigious use of marijuana as his remarkable musical pedigree. In his autobiography, Nelson traces his
career from his early days as a songwriter in Nashville, through his successes
as a mainstream country star in the sixties through his left-of-center detour
into Outlaw country in the seventies and his subsequent Baptism as a cultural
icon and a mainstay of the Farm Aid benefits. Nelson’s intelligence, his sense
of humor, and his willingness to admit to his failures make this an unusually
frank, illuminating, and entertaining read.
9. Deke Leonard.
Maximum Darkness: Man on the Road to Nowhere. Northdown Publishing, 281 Pp.
This is the third in a trilogy of Man guitarist Deke Leonard’s witty,
sometimes snarky guided tour through his long musical career. The book picks up where its predecessor,
Rhinos, Winos, and Lunatics left off, and details his career through the 1983 re-grouping of the Man
Band following their 1976 breakup the present day. Leonard’s wry
observations on the absurdities of the music business are good for many a laugh,
and you do not have to have any familiarity with the Manband to find this an
immensely entertaining read.
8. Peter Richardson.
No Simple Highway: A Cultural History of the Grateful Dead. St. Martin’s Press,
384 Pp. I am well aware and unrepentant
that half of the books on this list deal with the Grateful Dead. Celebrating
their 50th Anniversary in 2015, the Dead were unexpected media
darlings, and the subject of several excellent and very different books
released in conjunction with their semicentenary celebration. I know most of
the authors, but this does not discount the fact that each book was extremely
well-conceived and filled a unique niche. First out of the chute was San
Francisco State historian Peter Richardson’s No Simple Highway, which
does an excellent job of placing the Dead within the historical and political
contexts of the times, particularly during their nascent years in the 1960s and
1970s.
7. Bill Kreutzmann and Benjy Eisen. Deal: Three Decades of
Drumming, Dreams, and Drugs With the Grateful Dead. Although drummer Kreutzmann is not the first
GD band member to publish an autobiography, Deal, which he co-wrote with
journalist Benjy Eisen, offers a fresh
perspective from one of the band’s founding members. Kreutzmann does not pull
his punches, as he offers a frank and often sentimental look at his 30 years in
the band. This is also the go-to source for those who want to know who in the
band took which drugs at which times.
6. Kim Gordon. Girl in a Band: A Memoir. Dey Street
Books 288 Pages. Sonic Youth bassist and
vocalist Kim Gordon’s memoir shows how she transitioned from a bohemian
childhood in California through hippie and punk phases before emerging in 80s
New York, almost by accident, as bassist for one of the most boldly
experimental groups of the late 20th Century. Gordon also draws in
her parallel careers in art and fashion design, and her observations (alluded
to in the title) on being the sole woman in a men’s club of a rock band.
5. David Browne. So Many Roads: The Life and Times of the
Grateful Dead. De Capo Press 496 Pp. Rolling Stone writer Browne tells the
Dead’s story from the vantage point of five particularly memorable days in the
band’s history. Browne’s almost
cinematic narrative is informed by his significant access to band and family
members during the writing of his book.
4. Elvis Costello.
Unfaithful Music and Disappearing Ink. Blue Rider Press. 688 Pp. Elvis Costello has touched
more aspects of the musical spectrum than most musicians would dream of
tackling. In this very entertaining and lengthy autobiography, Costello traces
the convoluted path that led him from early days as a pub and then punk rocker
through his subsequently convoluted career and his professional and personal encounters
with such diverse characters as Nick Lowe, Bert Bacharach, Alan Toussaint, and
his wife, jazz singer Diana Krall.
3. Dennis McNally. Jerry on Jerry:
The Unpublished Jerry Garcia Interviews. Black Dog and Leventhal. 240 Pp. 20 years after Jerry Garcia’s death, Grateful
Dead biographer and publicist Dennis McNally compiled transcripts of five
lengthy interviews with the guitarist from 1973 to the early 1990s. Garcia was
a consummate rapper, and it is a delight to hear him holding forth on the
pranksters, film, fine art, songwriting, and plenty of discussions of the
Dead’s long strange trip. This book is also available in audio form for those
who want to hear rather than read Garcia’s ruminations.
2.Peter Guralnick. Sam Phillips: The Man Who Invented
Rock and Roll. Little Brown and Company. 784 Pp. Guralnick is probably best known for his hefty
two volume biography of Elvis Presley, and his latest effort focuses on the
singular career of Sam Phillips, who made the earliest recordings of Presley,
Jerry Lee Lewis, Howlin’ Wolf, B.B. King and Carl Perkins at Sun Studios, his
legendary Memphis recording facility. Guralnick’s weighty tome chronicles
Phillips’ life in detail, from his start as a teen entrepreneur through his
glory days in radio and at Sun, his wilderness years in the seventies and
eighties and his comeback near the end of the century. When writing the Elvis
books, Guralnick became a good friend of Phillips and his family, and thus he brings an insider's perspective to his depiction of the last years of this musical icon's wild and wooly life.
1. Blair Jackson and David Gans. This Is All a Dream We Dreamed: An Oral History of the
Grateful Dead. Flatiron Books. 512 Pp. This stands as my favorite book to date on
the Dead, lovingly compiled by two writers who have spent their adult lives in
the world of the Dead. Drawing on extensive interviews the pair and others have
done with band members, crew, staff, and fans over the years, the book provides
a warts-and-all look at this ungainly, yet surprisingly resilient and wildly
popular cultural institution.
Subscribe to:
Posts (Atom)